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2017 Capital Fringe Review: “It’s What We Do”: A Play about...

Nazi Germany, South African apartheid, any city USA circa Black Lives Matter, pre-civil rights era America, Batista regime in Cuba, Cochabamba in Bolivia, Syrian...

Review: ‘The Originalist’ at Arena Stage at The Mead Center for...

The original The Originalist returns to Arena in a much larger house (The Kreeger, not the Kogod Cradle where it debuted in 2015). This...

Preview: ‘The Carol Burnett Show’ at the Laurel Mill Playhouse

This weekend, Laurel Mill Playhouse (LMP) will be doing two tributes. The first is to the wonderful Carol Burnett Show that graced our TVs...

2017 Capital Fringe Review: ‘Repentance’

A light night of theater Repentance is not. In one uninterrupted dialogue that unfolds over the course of 90 minutes, Repentance tells a story...

2017 Capital Fringe Review: ‘The Heroes’ Tale’

Four black men in their forties sit around a chess game in Dupont Circle park in 1980. They open the show singing barbershop-quartet style,...

2017 Capital Fringe Review: ‘Kara Sevda’

Let’s get this part out of the way quickly: Lisa VillaMil’s Kara Sevda (at Shopkeepers through July 22) is an exhilarating piece of theater,...

2017 Capital Fringe Review: ‘Dancing Through Life…By the Way’

Dancing Through Life…By the Way is a one-man show starring Christopher Bennett. No director is credited in the Playbill, but it appears that Mr....

2017 Capital Fringe Review: ‘Arden Now’

“My employer is an asshole.” Shakespeare said that. Ok, not exactly. But the Rude Mechanicals somehow fit the line seamlessly into Arden Now, their abbreviated...

2017 Capital Fringe Review: ‘Daggers MacKenzie’

There are surprisingly few one-actor musicals. Even rarer: solo musicals where the protagonist juggles razor-sharp daggers. Make your one-actor, dagger-juggling musical about a lesbian...

2017 Capital Fringe Review: ‘ClickB@it’

Internet addiction is no laughing matter. However, for the talented team now lighting up the stage at the Sprenger Theatre at Atlas, the Internet--and all...

2017 Capital Fringe Review: ‘Aflight’

There is no doubt in my mind that Jane Franklin Dance’s Aflight brings something special to Fringe. Usually based in Arlington, this group blends...

Review: ‘Empanada For A Dream’ at 1st Stage

Proust may have had his mother’s madeleine, but Juan Francisco Villa has his mother’s empanada to stir up memories of his gritty, hard scrabble...

2017 Capital Fringe Review: ‘Garbage Person Karaoke’

Over the 65-minute run time of Caroline Bennett’s Garbage Person Karaoke, there are moments of painful comedy and bitter emotional connections with that specific...

2017 Capital Fringe Review: ‘Ten Principles )'( – Senior Year’

A choose-your-own-adventure review – pick one of the following: a) I have little or no idea what the Burning Man festival is; b) I...

2017 Capital Fringe Review: ‘Echoes’

Mia Amado, producer and director of Echoes, brings this piece about love and mental illness to the Eastman Theatre at Gallaudet. Echoes is by no means an easy...

2017 Capital Fringe Review: ‘There Ain’t No More’

Willie Carlisle is an astonishing performer, and if I were only reviewing his performance of mountain folk music, I’d recommend this show with the...

2017 Capital Fringe Review: ‘Nasty Women of the Ecstatic Rainbow Mystical...

This show is a comedy inspired by a tragedy, Greek playwright Euripides’ The Bacchae. In case it has been a while since you last refreshed...

2017 Capital Fringe Review: ‘In the Company of de Sade’

Satire is a noble pursuit, but it can also be used as an excuse. Regardless of what a would-be satirist puts onstage, if you...

2017 Capital Fringe Review: ‘One In Four’

If you’ve ever picked up a roommate from an online ad, you know that living with strangers can be, well, strange. In a world...

Review: ‘Gigi’ at Washington County Playhouse

For a taste of France and classic musical theatre, Washington County Playhouse in Hagerstown is serving Lerner and Lowe’s Gigi through August 5th. It...