Tag: Virginia
Review: ‘Back to Methuselah Part 3: As Far as Thought Can...
George Bernard Shaw loves words. Even his stage directions are wordy.
He also loved ideas, philosophy, aesthetics, politics...
In Back to Methuselah Part 3: As Far...
Review: ‘Chicago’ at The Kennedy Center
Grammy Award-winning, R & B superstar Brandy Norwood brought her razzle and dazzle to the Kennedy Center’s Opera House, reprising her Broadway debut as...
Review: ‘A Raisin in the Sun’ at Arena Stage at the...
“I am a giant surrounded by ants!” exclaimed Walter Lee Younger in a scene from A Raisin in the Sun. Walter is the embodiment...
Interview: Meet the Cast of ‘Pygmalion’ at The British Players: Part...
In a series of interviews with the cast of Pygmalion at The British Players, meet Roger Stone who plays Alfred Doolittle.
Please introduce yourself and...
Review: ‘Saturday Night Fever’ at Riverside Center for the Performing Arts
There's no doubt in my mind that all of the attendees at Riverside Center for the Performing Arts were there because of the 1977...
Interview: Meet the Cast of ‘Pygmalion’ at The British Players: Part...
In part three of a series of interviews with the cast of Pygmalion at The British Players, meet Daniel Owen who plays Professor Henry...
Review: ‘Cabaret’ at the Academy of Music
Some shows never get old or lose their impact. The national tour of Roundabout Theatre Company’s Tony Award-winning revival of Cabaret, making its Philadelphia...
In the Moment: ‘Midwestern Gothic’ at Signature Theatre
The premise seems full of possibilities. With its moody Twin Peaks-like, arched eyebrow attitude, Midwestern Gothic tackles wasted lives, a randy adolescent woman who...
Interview: Meet the Cast of ‘Pygmalion’ at The British Players: Part...
In part two of a series of interviews with the cast of Pygmalion at The British Players, meet John Allnutt who plays Colonel Pickering.
Please...
Review: ‘Blood Knot’ at Mosaic Theater Company of DC
South African playwright Athol Fugard’s early masterpiece, Blood Knot, has finally returned to DC. And, judging by the roaring ovation on opening night, those...
Review: ‘Nine’ at Colonial Players of Annapolis
Colonial Players of Annapolis' production of Nine is a musical extravaganza, with lots of marvelous singing and dancing, as well as beautiful costumes. With a...
Review: ‘Lucy’ at UrbanArias
As the PETA-hounded circus left town on its farewell tour, I headed to the Atlas Performing Center to see Lucy, an UrbanArias opera about...
Review: ‘The Four Seasons of Vivaldi and Piazzolla’ at The National...
Before a sold-out house Saturday, March 25, 2017, at the Rosslyn Spectrum Theatre, the National Chamber Ensemble wowed the audience with its creative revival...
Review: ‘The Prisoner of Zenda’ at Hedgerow Theatre
There are few adventure stories as durable as The Prisoner of Zenda. Anthony Hope’s 1894 novel – the story of a well-meaning Englishman who...
In the Moment: An Interview with Peter Meineck, Founder of Aquila...
Let me not then die ingloriously and without a struggle, but let me first do
some great thing that shall be told among men...
Review: ‘Luft Gangster’ at the Sheen Center
Developed out of a conversation playwright and lead actor Lowell Byers had with his cousin Lou Fowler - a Sergeant in the US Army Air...
Review: ‘You for Me for You’ at InterAct Theatre Company
Is there any place on Earth more mysterious than North Korea? Aside from the grand ambitions of the brutal dictator (known to his subjects...
Review: ‘Adapt!’ At The Wilma Theater
Adapt! is a new play that tells the story of Lenka, an immigrant from Communist-era Czechoslovakia who dreams of living in New York City. It’s...
Review: ‘Edith Can Shoot Things and Hit Them’ at Iron Crow...
The Kids Are Alright
Mom’s dead. Dad is never there. What happens when kids are left – virtually abandoned by the adults in their lives...
The League of Professional Theatre Women’s 2017 Awards Celebration and Big...
Founded in 1981, the mission of the League of Professional Theatre Women, a non-profit advocacy organization headquartered in New York City, is to promote...

















