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Capital Fringe Review: ‘LOVE, NY’ by Tobias Franzén

Theater professionals have a love/hate relationship with the Big Apple. It is the upper echelon of the theater world, and so many attempt to...

Capital Fringe Review: ‘The Shirt of Happiness’ by Leslie Weisman

What is the secret of happiness?  If we took everybody who claimed to have an answer to that elusive question and laid them end...

Capital Fringe Review: ‘Legal Tender’ By Tzvi Kahn

Legal Tender consists of a series of nine narratively distinct but thematically linked vignettes executed as prose-in-performance pieces, meaning that the action unfolds with...

Capital Fringe Review: ‘Almost Together’ by Tzvi Kahn

Almost Together, the dynamic one-woman show performed by Community Theater veteran Mary Leaphart and directed by Steven Cupo, aims to chronicle its protagonist’s experience...

Capital Fringe Review: ‘Fish Outta Water’ by Flora Scott

Fish Outta Water is a whacky and wonderful part-jam session, part-biographical narrative. More appropriately, lets call it the life story jam session. Ron Litman is...

Capital Fringe Review: ‘Smellin’ Up the Den!’ by Mike Spain

Smellin’ Up The Den! is a sketch comedy show with outrageous skits similar to ones seen on Saturday Night Live! - except there are no...

Capital Fringe Review: ‘Violent Delights: A Shakespearean Brawl-esque Sideshow’ by JR...

Violent Delights: A Shakespearean Brawl-esque Sideshow, presented by Off the Quill, was a wonderful inaugural piece by the self-identified experimental theater company. The overture...

Capital Fringe Review: ‘Fireball XL’ by Justin Schneider

Here's a quick test for you: if you start giggling when I tell you to imagine Captain Picard reading this review and shouting “There...

100 Plays Produced as CATF Kicks off Ambitious 23rd Season by...

Over the last 22 years, the Contemporary American Theater Festival (CATF) in Shepherdstown, West Virginia, and has become a leading center for the production...

Capital Fringe Review: ‘To Know A Veil’ by Christina Marie Frank

I would say this show is a "must see," but "see" isn't the appropriate term. Artistic innovator Emma Crane Jaster and her lovely ensemble...

2013 Capital Fringe Show Preview: ‘Almost Together’ by Mary Leaphart

When I was in college, my bipolar disorder showed up. It would be twenty years before I knew what to call it. But trust...

2013 Capital Fringe Show Preview: ‘Our Boys’ by Victorian Lyric Opera...

Fathers, Sons, and a Side of Bacon. Our Boys was first performed in London at the Vaudeville Theatre on January 16, 1875. It went on...

2013 Capital Fringe Show Preview: ‘To Know a Veil’ by Emma...

I was first inspired to create To Know a Veil while traveling in Morocco a couple years ago. It was my first time in...

2013 Capital Fringe Show Preview: The British Players’ ‘Old Time British...

The British Players' Old Time British Music Hall is an annual event which has been taking place in the Washington/DC area since 1964. Originally called The...

‘Antony and Cleopatra’ at Chesapeake Shakespeare Company by Amanda Gunther

The Bard’s most tragic love story; not Romeo & Juliet as so many are inclined to think, but rather a tale of epic love...

2013 Capital Fringe Show Preview: ‘The Continuing Adventures of John Blade,...

Scene one, the stage directions read, “A man stands at a work table cleaning a handgun, his movements cool and collected. He is handsome,...

Capital Fringe Review: ‘LapBand Texas’ by Julia L. Exline

LaGoDi presents Lapband Texas, a production that packs a lot of laughs before taking an awkward turn. In a clever, Hairspray-style casting choice, Michael Brassfield...

Coming to the Capital Fringe Festival: ‘LapBand Texas’ by Patrick DiBattista

"When we say let's put on a show," we mean it. Once we drove through a snowstorm with a bed strapped to the roof...