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Review: ‘Cervantes:The Last Quixote’ at GALA Hispanic Theatre

If you’re like most Americans, you’ve probably never heard of Cervantes. Or you know him only as the creator of Don Quixote, a book...

Review: ‘I Call My Brothers’ at Forum Theatre

Forum Theatre has a knack for picking trenchant works of theater that buzz with relevance to hot-button topics. Its current offering is a perfect...

2016 Philadelphia Fringe Festival Review: ‘I Fucking Dare You’ at The...

The Berserker Residents, a Philadelphia-based troupe, has been writing and performing inspired comedy for years. Their irreverent 2010 offering The Very Merry Xmas Carol...

In the Moment: An Interview with BalletNova’s Artistic Director Laveen Naidu

Area non-profit arts organizations continually develop fresh ideas to reach children who may not regularly have access to the wonders of the performing arts....

2016 Philadelphia Fringe Festival Review: ‘Wroughtland’

From the first moment you enter the space Gunnar Montana's Wroughtland transports you into another world. The stage and seating area are lush with...

2016 Philadelphia Fringe Festival Review: ‘The Sincerity Project’ at Plays and...

It's back! After  two years, Team Sunshine Performance Corporation's The Sincerity Project, directed with much heart, and written and performed by actors/writers Aram Aghazarian, Benjamin Camp, Rachel Camp,...

2016 Philadelphia Fringe Festival Review: ‘Notes of a Native Song’

“This isn’t the Ken Burns musical documentary on James Baldwin,” said Stew about two-thirds of the way through his latest show, Notes of a...

2016 Philadelphia Fringe Festival Review: ‘Cellophane’

Are we mindless technology zombies? Have we lost our human compassion? These are questions addressed in the Fringe show Cellophane, by Mac Wellman. Cellophane,...

2016 Philadelphia Fringe Festival Review: ‘Antihero’ at Tribe of Fools

In a theatre festival with a sometimes overwhelming number of shows, there’s only one show where you’ll see actors flipping off walls, a real-life...

2016 Philadelphia Fringe Festival Review: ‘Birdie’s Pit Stop (and the tribe...

Camp and kitsch reign supreme in On the Rocks’ Birdie’s Pit Stop (and the tribe of queers who fucked everything up), an outrageously funny...

Meet The Cast of The Castaways Repertory Theatre’s ‘Cat On A...

In Part Two of a series of interviews with the cast of Castaways Repertory Theatre’s production of Cat On A Hot Tin Roof, meet...

2016 Philadelphia Fringe Festival Review: ‘Then Athena’ at Allentown Public Theatre

Then Athena, a collective creation, directed by Troy Dwyer, and presented by Allentown Public Theatre, presents a tapestry of stories about a wide range...

2016 Philadelphia Fringe Festival Review: ‘Making the Fringe Great Again!’ at...

If you’re a stickler for political correctness, lighten up, head over to L’Etage Cabaret, grab a drink, and laugh your *#@% off at all...

2016 Philadelphia Fringe Festival Review: ‘One-Man Apocalypse Now’

The title tells you all you need to know about Chris Davis’ new show at the Fringe Festival. When you enter the performance space...

Review: ‘Cloud 9’ at The Studio Theatre

Caryl Churchill's Cloud 9, now playing at Studio Theatre, is a fabulous, funny, smart, and ever more relevant vision of a world in the...

Review: Culture Club at The Music Center at Strathmore

Culture Club channels the 80s at Strathmore The UK pop-soul music group Culture Club has been grooving for over 30 years with hits like “Do...

Review: “Weird Al” Yankovic at Wolf Trap

“All bets are off,” says Wolf Trap’s website, when “Weird Al” Yankovic, King of Parody, takes over the concert hall. Absolutely anything can happen....

Review: ‘One Gold Coin’ (‘Una Moneda de Oro’) at InterAct Story...

Entertaining for children and parents alike, One Gold Coin – Una moneda de oro, is the current family-friendly presentation produced by InterAct Story Theatre. According...

Review: ‘Gypsy’ at Washington County Playhouse Dinner Theater and Children’s Theater

Washington County Playhouse Dinner Theater and Children's Theater has just opened their new production of Gypsy, the classic 1959 musical. Often listed among the greatest...

Review: ‘Political Cabaret’ at Cohesion Theatre, Baltimore Improv Group, and Spotlighters...

As a welcome election-year treat, Cohesion Theatre Company (“Cohesion”), Audrey Herman Spotlighters Theatre (“Spotlighters”), and the Baltimore Improv Group (“BIG”) have collaborated to create...