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Review: ‘Deconstruction’ at The Storm Theatre Company

“Who are you?” That is the philosophical question and moral issue raised in playwright Jonathan Leaf’s Deconstruction, a world-premiere three-hander (presented in conjunction with...

Review: Jay Leno at The Kennedy Center

Iconic television host, celebrated comedian and 2014 Mark Twain recipient Jay Leno returned to the Kennedy Center’s Concert Hall Friday night amped to get...

Review: ‘A Night with Jackie Moms Mabley’ at Germano’s Piattini

Legendary entertainer Loretta Mary Aiken, aka Jackie “Moms” Mabley saw and endured a lot in her 81 years. Born in 1894 in Brevard, North...

Update: Funeral Information: Local Theater and Restaurant Reviewer and Cable TV...

Here is information on Rich Massabny's funeral: Viewing: Wednesday, 2 to 4 and 6-8 pm Murphy's Funeral Home -4200 Wilson Boulevard, Arlington, VA Funeral Service: Thursday: 1 PM Murphy's...

Review: ‘Grug & the Rainbow’ at The Kennedy Center’s Family Theater

A colorful story wowed the kids and their parents at today's 1:30 PM performance of the Windmill Theatre Company of Australia's Grug & the Rainbow, directed...

Review: ‘The Taming of the Shrew’ at Chesapeake Shakespeare Company

I had so much fun last night at Chesapeake Shakespeare Company’s (CSC) The Taming of the Shrew. There’s no telling what you will get...

Review: ‘Mad Libs Live!’ at Red Branch Theatre Company

Mad Libs Live! sounds like a political gathering many would want to avoid. But happily it turns out to be a (Fill-in-the-Blank) musical providing...

‘COME HEAR THE MUSIC PLAY:’ Memories of My Twenty Years as...

ACT TWO. Two years later, in 1970, I once again tried to put together a package of my clients - in the show that became...

Review: ‘Not My Baby’ at Momentum Collective

What defines parenthood? Are children always a gift? The adoption-themed Hip Hop musical Not My Baby by Alexandria, Virginia-based playwright Jason A. Ellis, explores...

Interview: Michael Bloom, Director of Lisa Kron’s ‘Well’ at 1st Stage

Amy Kotkin recently had a chance to interview Michael Bloom about his upcoming production of Lisa Kron's Well at 1st Stage. Amy: What initially attracted you to...

Review: ‘Needles and Opium’ at The Kennedy Center

Sometimes the viewer of a theatrical experience can only sit in wonder at the spectacle, not because elephants dance on soccer balls or trapeze artists spiral...

Magic Time! ‘Needles and Opium’ at The Kennedy Center

When I left the Eisenhower Theater last night after witnessing this mesmerizing multimedia marvel, I had a quibble. I had just one, but it...

A Report on Smithsonian Associates ‘Are the Cards Collapsing?: A ‘House...

Wednesday night I did something very DC, I attended a talk on politics through the Smithsonian Associates. Not divisive politics, but pop culture politics...

Review: ‘Come From Away’ at The Schoenfeld Theatre

One thing is certain about this new musical, now on Broadway at The Schoenfeld Theatre - it had the youngsters in the audience hooting...

Review #2: ‘Parade’ at The Keegan Theatre

Arguments have been made that the theater is supposed to be a “safe place” where patrons can go to be entertained, away from the...

Review: ‘Cinderella: A Magical, Musical Tale’ at The American Pops Orchestra

This is what theater is all about and it was my dream when I started DCMetroTheaterArts 5 years ago-to see a venue filled with parents...

Review: ‘Ragtime’ at Ford’s Theatre

Glorious! Dazzling! Verve! Bursting at the seams with voices and stories of America’s humanity and originating dreams. These are the words I felt as Ragtime,...

Review: ‘Dad Jokes: A Stand Up Tragedy by Emily Hall’ at...

Dad jokes are an odd construct. As likely to make you cringe as to laugh, they are both funny and not funny at the...

Review: ‘The Price’ at Roundabout Theatre Company at The American Airlines...

This is one of Arthur Miller's successes, and though it's been revived three times on Broadway since it first appeared in 1968, it has...

Review: ‘The Gravedigger’s Lullaby’ at TACT

Jeff Talbott established himself as a writer of great promise with the MCC Theater production of his first play The Submission in 2011. This...