Tag: Woolly Mammoth Theatre Company

Subtitled ‘(How to flip ten cents into a dollar),’ this stellar new play powerfully captures how ghosts of the past shape the present and won’t stay buried. By AILEEN JOHNSON

It's a passionately told story about a woman's passion to get pregnant, and it's in the form of a one-person stand-up comedy musical. By GREGORY FORD

'Akira Kurosawa Explains His Movies and Yogurt (with live and active cultures!)' — Julia Izumi’s play about Japanese American identity — is powerful. By DANIELLA IGNACIO

An AAPI writer/performer/kind-of-dancer shares the inspiration she found in the Dana Tai Soon Burgess Dance Company concert at Woolly Mammoth. By DANIELLA IGNACIO

Seven years after the tragic school shooting, Manuel Oliver honors his son Joaquin's life and legacy with 'GUAC.'

This position, grant-funded by The BOLD Theater Women’s Leadership Circle, supports Woolly’s commitment to advance visionary women.

A probing and startling interview with the writer behind DC productions of 'Exception to the Rule' at Studio and 'Incendiary' at Woolly Mammoth. By NATHAN PUGH

The juxtaposed testimonies of Anita Hill and Christine Blasey Ford about what was done to them by two men who are now on the Supreme Court. By JOHN STOLTENBERG

Woolly teams up with Philadelphia's Wilma Theater to mount Branden Jacobs-Jenkins' dark comedy, set in Prince George's County.

Julia Masli's silly-titled solo show invites us into a precious shared openness. By JOHN STOLTENBERG

Adil Mansoor invites his Pakistani mother to translate Sophocles' 'Antigone'  into Urdu as a way to explore tensions between family and faith.

Madeline Sayet’s solo play provides unique ways of grappling with questions of identity that are defining contemporary America. By JAKOB CANSLER

These performances made an indelible impression on our writers this year. Did we overlook a favorite of yours? Let us know in a comment!

The organization will relocate to office space at Woolly Mammoth Theatre Company.

Shakespeare Theatre Company and Woolly Mammoth Theatre Company have collaborated to bring to DC an electrifying drama about forced dislocation.

Jasmine Lee-Jones' provocatively titled 'seven methods of killing kylie jenner' comes to Woolly Mammoth Theatre from sold-out runs in London.

The January 29 event, supporting the company’s commitment to Indigenous communities, is part of the national tour of Madeline Sayet’s 'Where We Belong.'

These performances made an indelible impression on our writers this year. Did we overlook a favorite of yours? Let us know in a comment!

Her appointment marks Woolly Mammoth Theatre Company’s commitment to Connectivity, its community, and civic engagement.

The show, deeply rooted in its Blackness, is at its core a satire built upon the Black American experience.