DC

Jonathan Spector’s Tony-winning play resonates because we're hungry for a world where science is trusted again.  By AILEEN JOHNSON

Creating an effervescent world where magic and happy endings still exist, the show is amazing for the whole family.  By ZOE WINSKY 

A remarkable cast creates a heady mix of psychological tension and carefully choreographed intimacy. By AMY KOTKIN

The play is a harrowing examination of a society quick to vilify ‘the other’ and a justice system that delivers judgment without compassion. By EM SKOW

Shakespeare’s fabled Forest of Arden becomes a colorful urban world of laughter, music, art, self-discovery, and love. By DERYL DAVIS

Cast and crew announced for WSG Artistic Director Bill Largess's adaptation of Shaw's rarely-produced historical play, running April 9-May 3.

Constance Zaytoun to star in Drama Desk Award-winner Lameece Issaq's one-woman show.

DC premiere by Pulitzer Prize winner Tracy Letts runs April 4-May 3, 2026.

After exiting the Kennedy Center, the Washington National Opera mounts Scott Joplin’s opera symbolizing the freedom necessary for creative expression. By SUSAN GALBRAITH

The long-time alternative theater troupe delivers thought-provoking and eye-opening storytelling that meets the moment we’re in. By JOHN STOLTENBERG

A lean, 10-actor staging sharpens the debate over free thought — but the scaled-down approach weakens the sense of community at the play's heart. By BOB ASHBY

Blending the classic and the contemporary, the theatrical and the political, GALA's 51st season speaks to "one of the most defining moments for the Spanish language in this country."

The Passion may be one of Western theater’s oldest surviving forms — but in this festival of three premieres, it feels less like a relic and more like a reckoning. By GREGORY FORD

The renowned DC writing duo Drew Anderson and Dwayne Lawson-Brown disclose ‘the Bugs Bunny formula’ in their new show for middle schoolers. By JULIA TUCKER

Guest writer LEEANÉT NOBLE reflects on her experience developing the program and directing this year’s reading.

The seasoned theater producer will oversee commercial strategy and partnership within the artistic division.

The story’s themes of female empowerment through love, courage, and self-growth are eternal.  By ZOE WINSKY 

The company makes its debut with an original staged reading at the 2026 Atlas INTERSECTIONS Festival March 6.

Unique partnership aims to be a model for sustainably growing and supporting the arts in DC.

At issue in this year's dizzyingly droll joke fest at Shakespeare Theatre Company: Did Desdemona die a wrongful death?  By SOPHIA HOWES