Home Tags DC Theater

Tag: DC Theater

Capital Fringe Review: ‘Thumbs Up!’ by Grace Kim

Thumbs Up, written and performed by Michael Venske, with technical direction by Anthony Logan Cole, is a one-man show deftly performed by Michael Venske....

Capital Fringe Review: ‘Me and the Devil Blues’ by Mike Spain

The steamy heat of a Washington summer night added to the ambiance of the World Premiere of Me and the Devil Blues by Seamus...

Snow White and Her Prince Train with Puppets at The Puppet...

The Puppet Co. is a repertory family theater, and it produces a new show about every two years. In 2011, it premiered Snow White...

Wilco at Wolf Trap by Mike Spain

The Lee Ranaldo Band opened for Wilco on Tuesday, July 17, 2012. Ranaldo is best known for his time spent with Sonic Youth -...

Capital Fringe Review: ‘Planet Egg’ by Mariya Danilenko

Planet Egg is one of the most ingenious shows at the Capital Fringe Festival. It is a puppet cinema performance, which means that the...

An Interview with The Normal Heart’s Christopher J. Hanke by Joel...

Christopher J. Hanke is a member of the outstanding ensemble of Larry Kramer's The Normal Heart, now playing at Arena Stage. I asked Christopher...

Capital Fringe Review: Almost, “Almost Maine” by Grace Kim

I’m full of love for Almost, "Almost, Maine's" actors - Christian Beltran and Mandy Nicole Moore, who sublimely perform 7 different characters each over 7 vignettes...

Capital Fringe Review: ‘Stone Age Recreation: An Operetta’ by Francine Schwartz

Stone Age Recreation is an operetta developed by The Apron Theatre Company. It is a "physical comedy" by DC-area writer/producer Tyler Budde and director Maria Benson...

Capital Fringe Review: ‘Burlesque and Belly Laughs’ by Jessica Vaughan

Burlesque and Belly Laughs provides plenty of both. With a cast of improv actors and burlesque dancers from troupes around DC, the evening alternates...

Capital Fringe Review: ‘A Night In (Or The Night My Wife...

LIV Creations presents A Night In (Or The Night My Wife Left), a quirky show about a man who delves into his psyche after...

Capital Fringe Review: ‘In the Company of De Sade’ by Amanda...

In The Company of De Sade presented by the King’s Players at the 2012 Capital Fringe Festival is the show to see if you...

Capital Fringe Review: ‘All-Nude College-Girl Revue or Why I Can’t Pass...

All-Nude College-Girl Revue or Why I Can’t Pass The Vetting is a hilarious autobiographical one-woman show performed and written by Lisa Faith Phillips. Inspired...

Cabaret Review: ‘What I See’ – Natascia Diaz at Signature Theatre...

Natascia Diaz has several NYC/Broadway credits and has been a mainstay in the DC theatre scene for nearly an entire decade. Given her well-established...

A Preview of ‘Afterplay’ at Quotidian Theatre Company by Steve LaRocque

I had a chance last week (in blessed air conditioning) to see a rehearsal of the Quotidian Theatre Company’s upcoming production of Brian Friel’s...

Capital Fringe Review: ‘A Year of Giving’ by Jessica Vaughan

Rockville Little Theatre's production of A Year of Giving is an extraordinary story and it makes for an extraordinary play. Reed Sandridge was laid...

Capital Fringe Review: ‘BFF’ by Natalie McCabe

Brian Feldman’s one-man “show” BFF takes its single audience member on a two-hour journey- literally- to becoming Feldman’s, well, “BFF.” Feldman’s “friend-building excursion” may...

Capital Fringe Review: ‘Making Love Legal’ by Jessica Vaughan

 Making Love Legal is clearly a labor of love. Sara Schabach, a first-time director, and her cast infused every odd-ball scene with enthusiasm. It...

Capital Fringe Review: ‘The Post Reality Show: Talk Media!’ by Derek...

The Post Reality Show: Talk Media! claims to be the avant-garde of the avant-garde of the Capital Fringe Festival. While it is true that it is the...

Coming to The Capital Fringe Festival: ‘Stone Age Recreation: An Operetta.’...

Imagine you're at your local diner with six of your closest friends. It's your circle's 'Cheers Bar' or Central Perk. Then all of a...

Capital Fringe Review: ‘Shock/Trauma’ by Tzvi Kahn

If the cinematic car crash constitutes the cliché that never dies (or kills or wounds its action hero passengers, for that matter), the new...