Tag: Maryland Metro Theater Arts
Review: ‘Alligator Pie’ at Soulpepper on 42nd Street
Adapted from the verses of beloved children’s book author and poet Dennis Lee - known to generations of fans as “Canada’s Father Goose” –...
Review: ‘Cage’ at Soulpepper on 42nd Street
The avant-garde work and Zen convictions of 20th-century American composer John Cage are the inspiration for Soulpepper Theatre Company’s ensemble-devised piece Cage, performed in this...
2017 Capital Fringe Review: ‘Think Before You Holla’
Ally Theatre Company’s second-ever production is radically different from the first, Miz Martha Washington, a darkly comedic historical play. Conceived and directed by Taylor...
Review: ‘The Lion in Winter’ at 4615 Theatre Company
The Lion in Winter, written by James Goldman and directed by Jordan Friend, opened this weekend at The Highwood Theatre in Silver Spring; it...
2017 Capital Fringe Review: ‘Numesthesia’
“Torture numbers,” author Gregg Easterbrook once wrote, “and they’ll confess to anything.” David S. Kessler, a masterful storyteller aided by onstage musicians and projections...
Review: ‘Monty Python’s SPAMALOT’ at Rockville Musical Theatre
Top-notch performers, frequent laughter, applause, audience sing-alongs, and an all-in standing hymn recital characterized a night at Rockville Musical Theatre’s production of Monty Python's...
Review: ‘Teresa’ at Seventh Street Playhouse
Now playing at Greenbelt Arts Center (GAC), Seventh Street Playhouse’s Teresa is a thought-provoking, historical dramedy written by Anthony Ernest Gallo and inspired by...
2017 Capital Fringe Review: ‘My Lack of a Social Life’
Douglas Stafford is a very talented juggler. If that is an interest of yours, if you like juggling, and you’ve got an hour, then...
2017 Capital Fringe Review: ‘The Changeling Child’
A marketing company might have taken The Coil Project’s The Changeling Child and instead titled it A Midsummer Night’s Dream – The Next Generation. That title better...
Review: ‘Spider’s Web’ at Princeton Summer Theater
Spider’s Web ends with the unmasking of a murderer, and it starts with… a taste test. In this play’s opening moments, two veddy proper, blindfold-wearing...
Review: ‘Cabaret’ at The Kennedy Center
Cabaret, the blistering musical satire written more than 50 years ago by John Kander and Fred Ebb, stormed into The Kennedy Center this week...
2017 Capital Fringe Review: ‘Help Me, Wanda!’
Toni Rae Salmi is an actor seen frequently on DC stages, most recently "enjoyably grand" in Perfect Arrangement at Source Festival. In Help Me, Wanda!, she belts...
Review: ‘Perfect Blue’ at Tiny Dynamite
Something new and cutting-edge is happening at Christ Church Neighborhood House this summer – the U.S. premiere of Perfect Blue, by G.S. Watson. Perfect...
Review: ‘Matthew McConaughey Vs The Devil’ at the New York Musical...
Deserving recipient of an Academy Award for Best Actor, or modern-day Faust who sold his soul to capture Hollywood’s biggest honor? Emilie Landmann (book),...
From Bethlehem to Philadelphia: An Interview with Rami Khader, Director of...
Director Rami Khader, along with a group of talented and committed artists, both male and female and of differing ages and backgrounds, founded Diyar...
2017 Capital Fringe Review: ‘Proper Care of the Peace Lily’
There are no absolutes in Proper Care of the Peace Lily. In this 100-minute performance, everything exists in relation: analogies, power differentials, and those...
2017 Capital Fringe Review: ‘Orson the Magnificent – The Magic of...
You probably know Orson Welles for Citizen Kane and War of the Worlds, but did you know he was also an accomplished magician? In Orson the Magnificent, consummate showman Lars...
2017 Capital Fringe Review: ‘Roseburg’
A play about gun control, mental health, Robert Kennedy, and the Umpqua Community College shooting that forms a cohesive message without hitting the audience over the...
2017 Capital Fringe Review: ‘5 Epiphanies’
Like storytime for adults, David W. Grant sits in a modern version of a wingback chair in the small space at the Pursuit Wine...
2017 Capital Fringe Review: ‘The Regulars’
By far the best show I have seen at Fringe so far this year, The Regulars will have you laughing in your seat, squealing...










