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Capital Fringe Review: ‘Old Time British Music Hall’ by Lauren Katz

Hilarious, energetic, and entertaining, the British Players’ Old Time British Music Hall is a must-see event. Set in a cabaret-style and hosted by the...

Capital Fringe Review: ‘Misconception: The Lost Gospel of Christmas’ by Mariya...

Misconception: The Lost Gospel of Christmas is a satirical musical by Mark Swanson about the birth of baby Jesus. To give you an idea...

Capital Fringe Review: ‘I tried to be normal once, it didn’t...

I tried to be normal once, it didn’t take is a one-woman show starring Stephanie Svec, explaining why she became an actress through her...

Capital Fringe Review: ‘Bedroom Mirrors’ by Howard Lee Levine

Any play or group of plays--there are three--called Bedroom Mirrors has got to be provocative and these offerings do not disappoint. The setting is one bedroom,...

Capital Fringe Review: ‘Body Armor’ by Tobias Franzén

Unstrung Harpist’s production of Body Armor by Evan Crump, the company’s producer, is a play born out of the writer’s need to write a...

Carnegie Hall presents the National Youth Orchestra of the United States...

It was a very proud night for music and for our country when on Saturday night, July 12, 2013, Carnegie Hall’s Weill Music Institute...

Capital Fringe Review: ‘The Continuing Adventures of John Blade, Super Spy’...

The goal of Live Action Theater (LAT) is to “elevate the art of and practice of theatrical staged violence to the highest performance standards,”...

Capital Fringe Review: ‘Sapphire’ by Julia L. Exline

O & B Productions presents the emotional drama Sapphire, Written by God's Boo and directed by Tyrell T. Lashley. Heady, expressive, and increasingly harrowing,...

Capital Fringe Review: ‘In Search of the Perfect G-String’ by Keith...

  NSO Cellist Yvonne Caruthers has over 30 years of service as a “soldier of music” and used her life and her experience as the...

Capital Fringe Review: ‘How to Have It All: The Musical’ by...

Three good reasons to see How to Have It All: The Musical. 1. Freshly baked cookies. A nurturing, maternal figure will even warn you away from the...

Capital Fringe Review: ‘The Tragical Mirth of Marriage & Love: Short...

Fans of Chekhov rejoice. Pallas Theatre Collective has come to lift your spirits and make you laugh. Long have people tried to convince me...

Capital Fringe Review: ‘Kids in Space’ by Amanda Gunther

10…9…8…strap yourselves in for a blast off into space as you travel along with the Global Interplanetary Space Corps. Captain Blappten and First Mate...

Capital Fringe Review: ‘Our Boys’ by Leslie Weisman

The Fringe is rightly known and celebrated for giving people who may not be regular theater goers a chance to take a few bites...

Capital Fringe Review: ‘Haute Mess’ by Amanda Gunther

Bitches! It’s getting’ HAUTE in here! That’s right— you heard me! Fringe’s most outrageous dragalicious extravaganza is blowing up the world inside Redrum at...

Capital Fringe Review: ‘The Deadly Seven’ by Amanda Gunther

The Deadly Seven comes to this year’s Capital Fringe Festival through Ten14 Productions. With a great message to send the public, the show needs...

Capital Fringe Review: ‘Dance of the Wasp and Spider’ by Eric...

As Dance of the Wasp and Spider opens, there is a five-minute monologue by the leading actor Tyler Brody who provides a more in-depth...

Capital Fringe Review: ‘A Guide to Dancing Naked’ by Bev Fleisher

Sit down girl; we've got to talk! When did you last really see those mmm-mmm legs or that gorgeous curve of your shoulder? Probably...

Capital Fringe Show Review: ‘What It’s Like? One Veteran’s Tale of...

The story is powerful…one marine’s experience in the Persian Gulf and his challenges with addiction, survival, and post-traumatic stress disorder (PTSD) in his return...

Capital Fringe Review: ‘Tickets to an Event’ by Nicole Cusick

Call it a “destination wedding” or site specific theatre, but the Borealis Theatre event of “Crosswalk Weddings” was just a fun time. All three weekends...

Capital Fringe Review: ’43 and 1/2: The Greatest Death of Shakespeare’s...

A theatre production that ends with the actors giving the front row a plastic sheet because they are in the “splash zone” is not...