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Review: ‘Forever Balanchine Farewell Performances’ at The Kennedy Center

It was bittersweet last evening when The Suzanne Farrell Ballet performed the Forever Balanchine Farewell at the Kennedy Center’s Opera House. Sweet because the muse of...

Review: ‘Lookingglass Alice’ at Baltimore Center Stage

Throughout December, visitors entering the Baltimore Center Stage lobby will immediately notice the strange goings-on and the Wonderland-like atmosphere bestowed upon the venue. Over...

Review: ‘The SantaLand Diaries’ at Drafthouse Comedy Theater in DC

If you are barely in the mood to do something Christmassy, if Tiny Tim gives you hives, and learning lessons is anathema, The SantaLand Diaries...

Review: ‘Private Confessions’ at The Kennedy Center

How might one react to finding and reading their mother’s diary after her death? Did she purposely leave the diary so it would be...

Review: ‘Holiday Follies’ at Signature Theatre

It’s that time of year again. Signature Theatre opened their annual Holiday Follies this week. The seasonal cabaret is packed with a set of...

News: DC Theater Arts Unveils Two New Show-Promotion Opportunities

DC Theater Arts (DCMTA)—continuing to grow as the foremost performing arts review and news site in the DC Metro area—today introduces two new opportunities...

Interview: Playwright Andrew Watring on ‘Shakespeare is a White Supremacist,’ Opening...

Andrew Watring, a Junior at American University, has penned Shakespeare is a White Supremacist – a new play that analyzes race in the context...

Review: ‘The Book of Will’ at Round House Theatre

For the love of Shakespeare! There’s no doubt that Americans love their Shakespeare. In fact, many consider him America’s best playwright—? Then again, many Americans...

Singer Storm Large Discusses Her Mother, Loneliness, and Why She Plans...

Before I interviewed Storm Large, I was a bit wary. She seemed like...a lot. A big, brash personality who might hug you to death...

Report: Reflections on ‘A Master Class with Denyce Graves’ at the...

Denyce Graves is an absolute force of nature. This is apparent any time she takes the stage, whether it is in a role or...

Magic Time!: ‘The Last Night of Ballyhoo’ at Theater J

The production is lushly beautiful; the pacing, impeccable; the music between scenes, splendid; the acting, a delight in every detail. And the warm, piquant...

Review: ‘The Last Night of Ballyhoo’ at Theater J

Tinsel and garlands are festooned about a beautiful 10 foot tall Christmas tree. Easy to be captivated with such an exquisite Christmas touch.  But,...

Review: ‘Curve of Departure’ at Studio Theatre

Rachel Bonds’ new play, Curve of Departure, now playing at Studio Theatre, is that rarity among modern plays: it's traditional storytelling at its most engaging. Enter...

Review: ‘In Conversation with Samantha Bee…A Moderated Q&A’ at The Kennedy...

It was a match made in heaven: Rebecca Traister, author and commentator on feminism and politics; and Samantha Bee, Canadian-American writer, comedian, producer, and...

Preview and Appreciation: The Russian Chamber Art Society on Founder Vera...

There’s an addictive quality to the events of the Russian Chamber Art Society, sort of like discovering a pastime or sport that you just...

Review: ‘Citizens’ Watch’ at Washington Improv Theater

One of the best things about improv is that no two shows are alike. And Citizens’ Watch, the improvisational mystery now unfolding at Washington Improv Theater, is no exception.

Review: ‘A Christmas Carol’ at The Little Theatre of Alexandria

Holidays can bring out the blues, but  A Christmas Carol will get you in the Christmas spirit of gratitude and love. The Little Theatre of...

Magic Time!: “My Job Is to Crack Open My Soul”: A...

Justin Weaks was recently named by the Washington Post one of DMV’s 12 “stage dynamos,” one of “the best of an emerging cadre of younger regional talent.” He...

Review: ‘Mr. Burns, A Post-Electric Play’ at Cohesion Theatre Company

What better venue for a production of Anne Washburn’s Mr. Burns, a Post-Electric Play – an ensemble piece set in a dystopian future where...

Review: ‘Draw the Circle’ at Mosaic Theater Company

Draw the Circle is no ordinary one-man show. Nor is it an ordinary autobiographical play. Because Mashuq Mushtaq Deen—its transgender playwright and solo performer—has...