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Chatting with Rupert Holmes About Landless’ Symphonic/Metal Version of his Musical...

He’s a triple threat! He’s won Tony awards for writing the book, score, and lyrics for his Tony award-winning Best Musical The Mystery of Edwin...

2016 Philadelphia Fringe Festival Review: ‘A Runaway, a Soldier and a...

In her world-premiere historical fiction A Runaway, a Soldier and a Snowball Fight, presented at Fergie’s Pub by Iron Age Theatre, playwright-in-residence Leah Lawler...

2016 Philadelphia Fringe Festival Review: ‘Gilbert and Sullivan’s Switched! Or The...

  Conceived by emerging playwright Kevin Stackhouse as “a parody mock opera,” Gilbert and Sullivan’s Switched! Or The Insider and the Outsider, presented by Tavern...

2016 Philadelphia Fringe Festival Interview: Amanda Holston, Director of ‘Nip’

Amanda Holston is a Temple grad based in Philadelphia. She is a multi-faceted director, actor, and producer. She is directing the brand new piece,...

2016 Philadelphia Fringe Festival Review: ‘Silken Veils’

“When the rose is gone and the garden faded you will no longer hear the nightingale's song. The Beloved is all; the lover just a veil…...

Review: ‘South Pacific’ at Walnut Street Theatre in Philadelphia, PA

The hunger for optimism is never in short supply these days. Walnut Street Theatre brings life to an American classic in their current production...

Review: ‘Who’s the Boss’ at The In Series

The In Series’ production of Who’s the Boss? is a fusion of two comic operettas, Giovanni Pergolesi’s La Serva Padrona and Gilbert and Sullivan’s...

Tony Award Winner Rupert Holmes Joins Post-Matinee Discussion This Sunday, 9/18...

This Sunday, after the September 18th matinee performance of The Mystery of Edwin Drood there will be a post-show discussion with the MetalDrood team and...

Manifesting Premieres Works by Mauceri, Graf, and Reid at NextNOW Festival...

On Saturday, September 9, 2016, at the University of Maryland’s NextNow Festival, three playwrights premiered first drafts of new commissioned works. The plays were...

The Riverside Center for the Performing Arts Presents ‘Driving Miss Daisy’...

The Riverside Center for the Performing Arts in Fredericksburg, Virginia is proud to present Alfred Uhry’s Pulitzer Prize-winning play, Driving Miss Daisy, starring Karen...

Review: ‘The Last Schwartz’ at Theater J

There have been so many plays about dysfunctional families—think about August: Osage County, for example, or The Sisters Rosensweig—that it’s hard to believe that...

2016 Philadelphia Fringe Festival Interview: ‘Revisiting Current Remounts of Past Hits...

Three annual Fringe favorites have chosen to remount a past hit for this year’s festival, giving audiences a chance to see the acclaimed works...

Review: Amos Lee with Lauren Talese at The Kennedy Center

American music at its best is alive and well as showcased by last night’s Amos Lee concert at The Kennedy Center’s Concert Hall. The evening...

Spine: Anguish, Angels, and the Reagan Revolution: ‘Angels in America’ at...

Round House Theatre and Olney Theatre Center have teamed up for a truly remarkable Washington event: Parts 1 & 2 of Tony Kushner's Pulitzer-Prize...

Magic Time! ‘Cloud Nine’ at The Studio Theatre

Caryl Churchill’s Cloud Nine, which premiered in London in 1979, is rightly considered a landmark play. It is pivotal for me personally as well,...

2016 Philadelphia Fringe Festival Review: ‘Crave’ at Svaha Theatre

Performing Sarah Kane is a tall order for any theater company, and Svaha Theatre’s production of Crave (directed by Elise D’Avella) at The Iron...

Arts Collective @ HCC’s “Underground Rooftop Coffee House” – An Artistic...

Arts Collective’s “What Improv Group?!?!” partners with HCC’s Creative Writers, Performing and Visual Artists, and HoCoPoLitSo Howard Community College's (HCC) Arts Collective (AC) kicks off...

Review: ‘Angels in America: Millennium Approaches’ at Round House Theatre and...

Social, political, and historical forces collide and converge to mirror the conflicted inner worlds of the fascinating characters in Playwright Tony Kushner’s audacious, insightfully...

Magic Time! ‘Come From Away’ at Ford’s Theatre: ‘A show...

When I saw this new musical on the fifteenth anniversary of 9/11, there were no more than ten minutes during it when my eyes...

2016 Philadelphia Fringe Festival Review: ‘Shadow House’ at Philadelphia Opera Collective...

“Are you in here?” “Is there anyone here?” “Who are you?” Where are you?” “You’re not supposed to be here.” Spirits of the people...