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Interviews and Features

‘Come Home With Me’: Meet the DMV talent in ‘Hadestown’

It’s a homecoming for these four artists as the Tony- and Grammy-winning musical plays the National Theatre this month.  By DANIELLA IGNACIO 

Civility unraveled: Dark Horse Theatre Company takes on ‘God of Carnage’

Excited members of the cast and creative team preview Yasmina Reza’s Tony-winning dark comedy. By GUEST AUTHOR

‘Nothing is bereft of comedy’: Ciara Elizabeth Smyth on ‘Lie Low,’...

The Irish playwright talks about how she tackles intense, extreme themes with humor and honesty. By NATHAN PUGH

IN Series to salute ‘the most important American musician who ever...

Composer Damien Geter and Librettist Jarrod Lee share the backstory of 'The Delta King’s Blues,' their world premiere opera about the life of Robert Johnson. By GREGORY FORD

‘The Pale Blue Dot: A Musical Voyage Inspired by Nature’ coming...

PostClassical Ensemble’s multimedia concert about our fragile, watery planet will weave an environmental narrative through sound and image. By SUSAN GALBRAITH

Up close with four folks who bring two famed authors to...

Now at the World Stage Theater, the play opens a window on the friendship between C.S. Lewis and J.R.R. Tolkien and the fantasy worlds they created. By HANNAH ESTIFANOS

Morality, mortality, and farce in ‘Everybody’ at Bowie State University

Emerging student artists talk about the process of their production and the meaning of the play. By LaSHAY FLETCHER

Can queer theater ever be true to queer life?

A revival of Matthew López’s ‘The Inheritance’ at Round House Theatre prompts a culture critic to rethink what the queer community gains (and loses) when represented onstage. By NATHAN PUGH

Why I left the Kennedy Center

A former employee of the institution reflects on the tenuous position of arts workers under the Trump administration. By NATHAN PUGH

‘The Brothers Size’ in NYC continues the exploration of ‘We Are...

A revival of Tarell Alvin McCraney’s most famous work prompts a long-form essay that places two of his queer plays in conversation. By NATHAN PUGH

Timothy Nelson on staging the shocking opera ‘St. John the Baptist’

IN Series launches its season with a bold reimagining of Stradella’s explosive and subversive oratorio, where sacred drama collides with modern questions of identity and power. By RASHEEDA AMINA CAMPBELL

For The Merely Players, all of WIT’s a stage this fall

Director Shawn Westfall riffs on DC’s very own improvised Shakespeare group. By ANNA K. NELSON

Steven Carpenter on rehearsing the U.S. premiere of ‘The One Good...

The director talks about staging an Irish play by an American playwright in which magic, mystery, and death underlie the relationship of two brothers. By RAVELLE BRICKMAN

Brandon Carter on Malcolm X and playing ‘Julius X’ at Folger

In times darkly tinged by politically motivated violence, the play is a vitally important cautionary tale, one that Washington desperately needs. By ANDREW WALKER WHITE

Nicholas Rodriguez returns to DC stage in ‘Sound of Music’ at...

The local favorite leading man talks about his new role on the national tour and the value for young actors of finding their footing in the theater here. By MELISSA LIN STURGES

Richard Thomas on his return to DC in ‘Mark Twain Tonight!’

The Emmy-winning actor revisits the National Theatre for the first time since his childhood debut. By NICOLE HERTVIK

Rayanne Gonzales returns to ‘Damn Yankees,’ 20 years wiser

Reprising the role of Sister at Arena Stage, Gonzales finds joy in the character’s boundless enthusiasm. By TENIOLA AYOOLA

Playwright Bob Bartlett on adapting ‘Frankenstein’ in Italy

‘Mary Shelley’s Monsters’ opens September 18 in the historic chapel at Washington, DC’s Congressional Cemetery. By BOB BARTLETT

New indie streaming series ‘Deep End’ offers light in dark times

The writer and director reports on the creative project that brought together some of the DC area’s most talented actors. By JOHN BECKER

What can our theater community do for our city during Trump’s...

We have seen the deployment of a police and military force against U.S. citizens, against the will of the people and the government of DC. By JULIAN OQUENDO and NICOLE HERTVIK