Tag: DC Cathro
Capital Fringe Review: ‘Madam Ambassador’ by Carolyn Kelemen
Madam Ambassador offers inside-the-beltway humor
It helps if you are a “political junkie” or, at least, up to date on our State Department appointments to fully...
Capital Fringe Review: ‘Carry a Big Stick’ by Erica Laxson
Carry a Big Stick produced by Bull Moose Theatre and written by playwright Paul Handy is a true political storytelling adventure. Delving into the...
Capital Fringe Review: ‘Mme. Macbeth’ by Anne Tsang
When you hear that a theater company is performing Shakespeare’s Macbeth, you probably think to yourself “Oh yea…I know Macbeth. How will this be...
Capital Fringe Review: ‘Recovery’ by Flora Scott
An estimated 291,521 people in the US are living with, or are in remission from, leukemia. An estimated 48,610 new cases of leukemia are...
Capital Fringe Review: ’21 King’ by Julia L. Exline
True Wit Productions presents 21 King, a disappointing drama written by Jessica Lloyd Krenek. Directed by Emily Jane Warheit, this production unfortunately failed to...
Capital Fringe Review: ‘The Black-Jew Dialogues’ by Leslie Weisman
“So different. So alike. Who knew?” Such is the premise of this smash hit show, which has played across not only across the country but across...
100 Plays Produced as CATF Kicks off Ambitious 23rd Season by...
Over the last 22 years, the Contemporary American Theater Festival (CATF) in Shepherdstown, West Virginia, and has become a leading center for the production...
Capital Fringe Review: ‘To Know A Veil’ by Christina Marie Frank
I would say this show is a "must see," but "see" isn't the appropriate term. Artistic innovator Emma Crane Jaster and her lovely ensemble...
2013 Capital Fringe Show Preview: ‘Sesquicentennial – The Civil War Remembered’...
As a trial lawyer I have made closing arguments before countless juries over the past 4 decades. Because I love to tell stories it...
2013 Capital Fringe Show Preview: ‘Haute Mess’ by Landless Theatre...
This summer, The Landless Theatre Company (winner of the 2008 Best Musical Pick of the Fringe) returns to CapFringe with Haute Mess, a comedy...
‘Heartless’ at Contemporary American Theater Festival (CATF) by Mark Dewey
Shephard’s Heartless Probes an In-between Existence
All I remember from my first encounter with Sam Shepard’s plays is that one of the characters in La...
‘The Rainbow Plays’ at Baltimore Playwrights Festival by Amanda Gunther
Kicking off the first of four productions in this year’s Baltimore Playwrights Festival, area playwright Rich Espey presents his newest work The Rainbow Plays,...
‘Annie’ at Pasadena Theatre Company by Amanda Gunther
The sun has come out at the Pasadena Theatre Company as they present their summer production of Annie. A children’s classic and a favorite...
2013 Capital Fringe Show Preview “Photo Gallery: Behind The Scenes at...
What does one dollar mean to different people? Five actors explore the possibilities in the new show Legal Tender at the Capital Fringe Festival...
2013 Capital Fringe Show Preview: ‘Love, NY’ by Actor Samantha Keogh
On my way to rehearsal for Love, NY I come through the metro gates at Dupont Circle to find that the huge escalator leading...
Preview of Conor McPherson’s “The Birds” at Quotidian Theatre Company by...
Do you have your tide tables? You know: those listings that tell you high tide, low tide, water height, etc. Every newspaper from a...
2013 Capital Fringe Show Preview: ‘Apotheosis’ by Jon Jon Johnson
Behind “Apotheosis”
This all started on a whim.
I’ve always wanted to try my hand at devising a piece. While season planning for Avalanche Theatre Company’s...
‘The Playwright’s Playground’: Allyson Currin-Part 2 by Sydney-Chanele Dawkins
Welcome back to the new Playwright interview series -The Playwright’s Playground - a monthly in-depth conversation with a local female playwright in the D.C. theatre...
2013 Capital Fringe Show Preview: ‘Almost Together’ by Mary Leaphart
When I was in college, my bipolar disorder showed up. It would be twenty years before I knew what to call it. But trust...
2013 Capital Fringe Show Preview: ‘Our Boys’ by Victorian Lyric Opera...
Fathers, Sons, and a Side of Bacon.
Our Boys was first performed in London at the Vaudeville Theatre on January 16, 1875. It went on...