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Review: ‘crazy beautiful’ at FringeArts

How are dances created? What might inspire a choreographer? Specifically, how does Tania Isaac develop a dance? What role does the viewer have in...

Review: ‘Hetty Feather’ at Delaware Theatre Company

Nothing can keep Hetty Feather down. An orphan’s life is a hard one, especially in Victorian England – and Hetty has it harder than...

Review: ‘Groundhog Day’ at the August Wilson Theatre

Andy Karl is a delightful musical theatre leading man, but he's been having a bit of bad luck lately. During a late preview of...

Spine: ‘Three Sisters’ by the Maly Drama Theatre at The Kennedy...

With the Maly Drama Theatre's Three Sisters, playing through April 30 at the Kennedy Center's Eisenhower Theatre, theatre lovers will feast on every slow...

Review: ‘Columbinus’ at Metropolitan Youth Theatre by Matt Stevenson

Massacre. Bloodbath. Horror. These are just a few of the terms used to describe the absolute tragedy that took place on April 20, 1999...

Review: ‘Sherlock Holmes: The Final Adventure’ at Beacon Theatre Productions

“You see, but you do not observe. The distinction is clear.” ~ Sherlock Holmes Under the amber glow of gaslight, fog furls forth, a...

Review: ‘The Full Monty’ at The Players Club of Swarthmore

The Players Club of Swarthmore brings six average Joes to the stage with its season finale musical, The Full Monty. Based on the 1997...

Interview: Jazz Chanteuse Changamiré

I met jazz chanteuse Changamire’ at a networking event. She quickly warmed up to me and gave me her latest jazz album “Love” to...

Review: ‘Return to Spoon River’ at Theatre Row

Published in 1915, Edgar Lee Masters’ Spoon River Anthology - a collection of free-verse poems in which the deceased residents of a fictional rural...

Who’s in Town? A Conversation with Adam Pascal, Performing in Concert...

Rent fans are in for a treat as Adam Pascal and Anthony Rapp team up for a one-night-only concert event at Strathmore this Friday,...

Review: ‘Taking Sides’ at Port City Playhouse by Wesley Cobaugh

Taking Sides by Ronald Harwood is a stark look at post-war process and what is really meant by getting at the truth of what...

Review: ‘Six Degrees of Separation’ at the Barrymore Theatre

John Guare's masterpiece from 1990 solidly launched his career, earning a run of 155 performances off-Broadway which extended to a run at the Beaumont...

Review: ‘Love and Information’ at Temple Theaters

“I did tell you” “You didn’t” “I did I said Wednesday we’re going to dinner with” “But you didn’t” “Yes because I remember because you said” “All right I...

Review: ‘The Little Foxes’ at the Manhattan Theatre Club

I've seen this play so many times. As a youngster of 19 I played "Horace" at NYU in a production that helped me along...

Review: ‘The Imbible: A Spirited History of Drinking’ at New World...

Did you ever wonder what happens when “a duck walks into a bar”? Anthony Caporale (performer, playwright, and Director of Beverage Studies at New...

Movie Review: ‘The Lost City of Z’

The Lost City of Z is a throwback adventure story. Based on the book of the same name by David Grann, the film follows...

In the Moment: ‘Roar: True Tales of Women Warriors’ to Benefit...

Launching an anthology of stories entitled Roar: True Tales of Women Warriors to benefit the National Network to End Domestic Violence, the professional story-telling...

The Kennedy Center Announces Its 2017-2018 Theater Season: ‘Hamilton,’ ‘The Humans,’...

From The Kennedy Center: 2017–2018 Theater Season: The John F. Kennedy Center for the Performing Arts today announced programming for its 2017–2018 theater season in an...

Review: ‘Hello, Dolly!’ at the Shubert Theatre

I'm going to tell you a short story before I get to my review of Hello, Dolly! which is now playing at the Shubert...

Review: ‘The Reckless Season’ at TheaterLab NYC

What’s so funny about suicide, cremation, drug addiction, PTSD, and familial dysfunction? Playwright Lauren Ferebee finds the dark comedy in all of that, along...