2016 Capital Fringe Review: ‘Cake!’
Cake! Directed by Corin Andrade and created by burlesque impresario Ché Monique asks a profound, yet comical question: What happens when a 300 pound...
2016 Capital Fringe Review: ’75 Lezbos, 2 Trannies, 1 Pannie, Me...
“The existential loss of adult everything.”
A succinct, comprehensive phrase that encapsulates the purpose, prose, and poetics of “75 Lezbos, 2 Trannies, 1 Pannie, Me...
2016 Capital Fringe Review: ‘As It Were and/or What(ever) Doesn’t Matter’
I went on a strange journey in the upstairs theater of the Logan Fringe Arts Space, where As It Were and/or What(ever) Doesn't Matter,...
2016 Capital Fringe Review: ‘Crazy in America’
Ron Litman, accompanied by Tom Pile, has become renowned for his raving style of comedy at the Fringe with shows such as his 2014...
2016 Capital Fringe Review: ‘Rain Follows the Plow’
Bluegrass, country and folk music made a triumphant showing last night in Stephen R. Coffee's "Rain Follows the Plow." Coffee's show, labeled a dust...
2016 Capital Fringe Review: ‘The Good Death’
The Good Death explores the tension between a brother and sister who must come to grips with their past and make hard decisions about...
2016 Capital Fringe Review: ‘A Breakup Is Swift’
In the thick air crevassing within the Martin Luther King Jr. Library basement, there’s some heated tension, worthy of addressing. Cameron (Nick Duckworth), and...
2016 Capital Fringe Review: ‘Free Range’
Parenting seems to be a competitive sport these days. With everyone from well-meaning neighbors to the national media chiming in on what parents are...
2016 Capital Fringe Review: ‘Brownie and Lolli Go to Hollywood’
In theory, this looked and sounded great. Brownie and Lolli Go to Hollywood is a screwball comic cabaret riff on all sorts of current...
2016 Capital Fringe Review: ‘Secret Honor’
Anyone Can Be President: Secret Honor at the Fringe
“Scathing” “lacerating” and “brilliant” were three of the words the late Roger Ebert applied to the...
2016 Capital Fringe Review: ‘It Will All Make Sense in the...
“I took your dreams and I put them in a jar and I buried them under a tree. How did I do that?”
It Will...
2016 Capital Fringe Review: ‘Macbeth in the Basement’
William Shakespeare serves as playwright Annie Bryan’s inspiration for Dodgeball Theatre’s Macbeth in the Basement, directed by Talley Murphy. The show features only five actors and...
2016 Capital Fringe Review: ‘BRYCE: Hydrogen Blonde’
Bryce walks onstage wearing a sequined jacket and spandex jumpsuit. He’s backed by two phenomenal dancers, Nia Calloway and Zhane’ Davis Smith. His first...
2016 Capital Fringe Review: ’12 Steps’
It’s the end of the world as we know it, and Richard Sautter feels fine – well, fine enough to express his internal afflictions...
2016 Capital Fringe Review: ‘Lil’ Women: a rap musical’
Are you searching for a 19th century story set to 21st century hip-hop, but not willing to cough up thousands of dollars for Hamilton...
2016 Capital Fringe Review: ‘One Man Romeo’
The young actor and rapper Darius McCall fell so much in love with the role of Romeo that he longed to bring the character...
2016 Capital Fringe Review: ‘Let Trump Be Trump’
Imagine, if you can, that it is July 2017 and Donald J. Trump has been elected as the 45th President of the United States. While...
2016 Capital Fringe Review: ‘Rapists and Drug Dealers’
This surreal drama, by Tim Chamberlain, is a combination of modern dance and theater.
The play opens with the attempted murder of WOMAN by MAN....
2016 Capital Fringe Review: ‘Play Cupid’
New Game Theatre has created a show to satisfy the matchmaking itch in even your most meddling friend. In Play Cupid the actors relinquish...
2016 Capital Fringe Review: ‘Wash Over You’
Get ready for a distinctly American piece of multi-media artistry told in choreography, text and video projections by Artistic Director Jane Franklin of Jane...