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Capital Fringe 2014 Review: ‘Blue Moon/Red River’

(Best of the Capital Fringe) Jane Franklin Dance is a Virginia based company known for its innovative works and collaborations; Blue Moon/Red River is a prime example...

The Daily Dish: Now Serving Tiffany MacIsaac by Jenny Splitter

She’s the former executive pastry chef for Neighborhood Restaurant Group. You might have tasted her creations at Buzz Bakery, Birch & Barley or GBD...

Capital Fringe 2014 Review: ‘Will Work For’

(Best of the Capital Fringe) Dacyl Acevedo commands and transforms the stage at the intimate Gearbox in her one-woman, one-act heartbreaking look at the struggles...

Capital Fringe 2014 ‘Tour de Farce’

(Best of the Capital Fringe) Set in a one bedroom apartment share in the Lower East Side of Manhattan Tour de Farce follows the adventures of...

Capital Fringe 2014 Review: ‘Lucretia Borgia’

The Small Batch Theater Co. succeeds with modern dance in its unique production of Lucretia Borgia. Back in Renaissance Italy, Lucretia Borgia was always the baddest...

Capital Fringe 2014 Review: ‘This Gonna Be on the Test, Miss?’

(Best of the Capital Fringe) This Gonna Be on the Test, Miss? is written and performed powerfully and hilariously by Ronna J Levy and directed by Kel...

Capital Fringe 2014 Review: ‘In To The Outside/D.C. al Coda’ #1

This review must start off as my show experience started off...with an apology... The writer/director John Sowalsky walked onto the stage tonight and announced...

Capital Fringe 2014 Review: ‘That Kind of Girl’

(Best of the Capital Fringe) "It takes a long time to write words about my body that taste good on my tongue," espouses Natalie Piegari,...

Capital Fringe 2014 Review: ‘A Fire in Water’

(Best of the Capital Fringe) Sparse but beautiful, Silver Finch Art Collective’s a fire in water is a modern opera with an ancient theme –...

Capital Fringe 2014 Review: ‘Walken In His Shoes’

Christopher Walken (for those who live under a rock) is a prolific American performer of stage and screen. He won an Oscar playing Russian...

Capital Fringe 2014 Review: ‘The Tournament’

(Best of the Capital Fringe) What do you gather a team of actors who also happen to be some of the best fight choreographers in...

Capital Fringe 2014 Review: ‘Stone Tape Party’

(Best of the Capital Fringe) Even before the show starts, Stone Tape Party, written by Danny Rovin and directed by Angela Pirko, immerses the audience...

Capital Fringe 2014 Review: ‘À Demain’

Brendan O’Connell creates a memoir after the death of his friend. It’s a surprisingly funny show that nevertheless perfectly captures the permanence of grief....

Capital Fringe 2014 Review: ‘The Road to High Street’

(Best of the Capital Fringe) Juggling fire, riding a unicycle, living in a beer tank and eating raw eggs—these are just a few of the...

Capital Fringe 2014 Review: ‘Capt. Tickle Britches’

In the words of the Captain himself, "Here at the Captain Tickle Britches Show, we set the bar low. Real Low." This sort of sums...

Capital Fringe 2014 Review: ‘Love Song To Miss Kitty’

With their tight jeans, high heeled boots, and well endowed means of transport, cowboys have always been pretty gay. But the homo western vibe...

Capital Fringe 2014 Review: ‘Everything I Do’

Everything I Do is a musical, loosely adapted from George Bernard Shaw’s Man and Superman by playwright and composer John Becker. Just as the...

Capital Fringe 2014 Review: ‘Hey, Hey, LBJ!’

The unfolding story of one combat correspondent and his changing views on the Vietnam War, David Kleinberg's solo performance Hey, Hey, LBJ! spans three...

Capital Fringe 2014 Review: ‘Antigone’

(Best of the Capital Fringe) Fringe is well known for exposing audiences to exciting new works, but the festival can be equally exciting when it...

Capital Fringe 2014 Review: ‘Perfect Liars Club’

P.T. Barnum was right. There’s a sucker born every minute, and Perfect Liars Club is out to prove it. In 90 minutes of fun-filled storytelling...