Tag: DCMetroTheaterArts
Review: ‘2017 Summer One-Act Bonanza’ at Old Academy Players
Ten-minute plays are a modern phenomenon. Some critics refer to them as “theatrical fast food” or “audience sound-bites” but this type of play demands...
2017 Capital Fringe Review: ‘Ghouls’
There is a moment in Sean Surla’s one-woman piece, Ghouls, where Emel Haddad – Surla’s stand-in for herself, and an extraordinarily generous actress –...
‘Hamlet’ at Laurel Hill Cemetery: An Interview with Rosey Hay and...
Every year, the REV Theatre Company fills Laurel Hill Cemetery — Philadelphia’s resting place of the rich, the powerful, and the famous — with...
Review: ‘Spring Awakening’ at Spotlighters Theatre
The success of any production of Steven Sater and Duncan Sheik’s Spring Awakening rests on the ability to find harmony between the two dichotomous...
Review: ‘Fabulation or the Re-education of Undine’ at Port City Playhouse
Lynn Nottage’s Fabulation or the Re-education of Undine is an outrageously hilarious romp into the fabulated life of Undine Barnes Callas, a feisty, successful...
2017 Capital Fringe Review: ‘Hexagon 2017: Let Freedom Zing’
Described as “D.C.’s only all-original political satirical musical comedy troupe,” Hexagon gives a musical zing to the political madness of the past year. Now...
2017 Capital Fringe Review: ‘Ladies in Waiting: The Judgement of Henry...
Divorced. Beheaded. Died. Divorced. Beheaded. Survived. What a clever mnemonic device to track the tragic lives of Henry VIII’s many wives. And this play...
2017 Capital Fringe Review: ‘The Words She Gave Me’
The Words She Gave Me, Solia Bickersteth’s ambitious multimedia project, is a bighearted and moving exploration of how African-American women have shaped one another’s...
2017 Capital Fringe Review: ‘Last Ditch Playlist’
The unofficial rules for crafting a successful play also tend to apply to compiling the perfect mixtape: tell a compelling story, know your audience...
2017 Capital Fringe Review: ‘Life, Death & Everything In-Between’
Large swatches of fabric move time forward or weave through space. The bold colors catch the eye. Confrontational dialogue sets characters in opposition while...
2017 Capital Fringe Review: ‘Abortion Road Trip’
Abortion Road Trip tells the story of three women in a cab headed to New Mexico from Texas for an abortion. In this reviewer’s experience,...
2017 Capital Fringe Review: ‘The Blind’
Against a backdrop of trendy dramedies and raunchy musicals, the Wheel Theatre Company’s The Blind leads its audience to a cold, dark forest a century old....
2017 Capital Fringe Review: ‘Blue Over You’
It’s winter in Evanston, Illinois, and a woman has gone missing. Her name is Mitzi, and beyond that we know just a scant few...
2017 Capital Fringe Review: ‘Lazarus’
The notion that medical technology will one day enable human beings to live indefinitely is not just science fiction. Preventing the aging process (or...
Review: ‘1984’ at the Hudson Theatre
One of the most fascinating items on the Broadway scene is the current production of a British import, 1984. Co-adapted from the 1949 novel...
2017 Capital Fringe Review: ‘Caveat’
Caveat (written and directed by Ben Lockshin and playing at Gallaudet University’s Eastman Studio Theater) is a “One’s-a” show, where each character is an...
2017 Capital Fringe Review: ‘Four Broke Guys: LIVE!’
Four Broke Guys: LIVE! is classified as a comedy, but don’t expect mere fluff or pratfalls from this one-man show. Actor and playwright J....
2017 Capital Fringe Review: ‘I’m Margaret Thatcher, I Is!’
This show is Art with a capital “A”. It is awe-inspiring. It is life-changing. As the actors inform us in the prologue, it may,...
2017 Capital Fringe Review: ‘Constructive Fictions’
Was ever a jailed sex offender more self-righteous and self-pitying than Rabbi Barry Freundel in this brilliantly disturbing new play by A. J. Campbell?...
2017 Capital Fringe Review: ‘Quantum Suicide: A Talk by Professor Sophie...
You don’t have to understand quantum mechanics – or even elementary physics – to follow Quantum Suicide: A Talk by Professor Sophie Miller, the...