2022 Capital Fringe Review: ‘Green Machine’ by Jim McNeill

A well-paced dramatic comedy about a pop-up pot shop in Mt. Pleasant.

2022 Capital Fringe Review: ‘SWB – Strangers With Benefits’ by Shadia...

A riveting relationship drama, a remarkably moving parable about the components of human connection.

2022 Capital Fringe Review: ‘Interrupted’ by Hyla Matthews

An optimistic and funny solo performance that brings us together around the artist's loss and pain.

2022 Capital Fringe Review: ‘All the Feels: An uplifting cabaret’ by...

A show true to its name: a group of friends have a karaoke party and sing about the highs and lows of pandemic life and the state of the world.

2022 Capital Fringe Review: ‘The Gate’ by Robbie Gringras

A gripping 45-minute solo show that captures Arab–Israeli tensions with compassion and a touch of humor.

2022 Capital Fringe Review: ‘Sheboygan’ by novelist Louis Bayard

A debut play based on real events performed by top-notch DC talent.

2022 Capital Fringe Review: ‘Meatballs and Music’ by Tom Sweitzer

The funny, moving, and memorable story of one man's childhood in 1980s Pennsylvania.

2022 Capital Fringe Review: ‘Motherload’ by Jenna Hall and Justine Hipsky

A hilarious, heartfelt, and heartbreaking show based on the performers' childhood relationships with their mothers.

2022 Capital Fringe Review: ‘Sobriety of Fear’ by Shaun Michael Johnson

Virtuoso solo storytelling about the cycle of family violence, with a script and performance even more stunning than the play's Fringe debut four years ago.

2022 Capital Fringe Review: ‘EGO/DEATH’ by Natalie Parks

An intimate window into the consciousness of a young individual who dies shortly after their college graduation and then is inexplicably resurrected.

2022 Capital Fringe Review: ‘Mary’ by Jo Williamson

The story of a woman who considers herself an atheist and who is courted by two men who expect her to convert to their religion.

2022 Capital Fringe Review: ‘The Body Show’ by Mikala Jamison

Eight first-rate storytellers share entertaining and personal stories about their relationship to their bodies.

2022 Capital Fringe Review: ‘A Number’ by Caryl Churchill

A tantalizing “what if?”: a dramatized thought experiment about the interpersonal consequences of human cloning.

Voices Festival relaunches at Fringe, announces fall season of new-to-DC plays

First up from Voices Festival Productions — led by Ari Roth and A. Lorraine Robinson — is 'The Gate' at Capital Fringe, followed by a residency at Woolly.

2022 Capital Fringe Review: ‘This Is Cabaret’ by DC Cabaret Network

You won’t even notice you’re off-Broadway with this mini concert.

2022 Capital Fringe Review: ‘I’m Just Doing My Job’ by Diana...

Diana Veiga is one hell of a storyteller. The performance feels like a conversation with an especially funny friend.

2022 Capital Fringe Review: ‘Tacones (Rhymes with Cojones)’ by M. Cristina...

A queer immigrant story about 'loss, pain, and the quest for forgiveness.'